The first film Ted operated on was a MOW called “Dead and Alive”/Mob Justice. While working as a Lamp operator in a Condor, Ted boldly/foolishly suggested to D.P. Mark Irwin that there was a nice camera angle from the Condor’s high position.
Irwin allowed a 35III to be mounted in the bucket as a 3rd camera for Ted to operate during the car chase/crash. His shot made the movie.